Hearing for the people who
make the sound.
Musicians, touring crews, broadcast talent, DJs, and engineers: your ears are the instrument the whole show runs on. We protect them, monitor them, and keep them working, with a doctor of audiology who knows NYC's loudest rooms and tightest production schedules.
- Custom in-ear monitors & re-shells
- Flat-attenuation musician earplugs
- Broadcast & IFB earpieces
- Stage, crew & venue protection
- Tinnitus prevention & hearing baselines
Hand-taken impressions, verified seal, two to four week builds with rush available for tours and productions.
A hearing practice that speaks your language.
Industry hearing care is built for the rooms you actually work in: the stage, the booth, the club, the studio floor. We protect, monitor, and check the hearing of the people who make live sound and broadcast happen.
You can replace a cable, a console, or a pair of monitors. You cannot replace your hearing. We help you protect it without compromising the mix, the cue, or the take, with custom gear and counseling from a doctor of audiology who works with performers and crews every week. Your ears are the one piece of gear that has to last the whole career.
Custom gear for stage, studio & air.
Everything is fit to your ears and your role, from a single set of plugs to a full crew of monitors.
Musician Earplugs
Flat-attenuation custom earplugs that turn the volume down evenly, the mix stays true and your ears come home with you after the gig. Swappable filters for stage, rehearsal, and the crowd.
Custom In-Ear Monitors
Custom shells sealed to your ears for more isolation and less stage volume, or a re-shell of your universal drivers. We take the impressions and verify the seal.
Broadcast & IFB Earpieces
On-air earpieces, IFB, and comms molds that stay put and stay clear through a live hit, custom-fit so talent hears the producer, not the room.
Stage, Crew & Venue Protection
Lighting, FOH, bar, and stage crew take the same SPL as the headliner, for longer. Filtered protection lets you work the room all night without paying for it tomorrow; venue operators who need an employer-level program can explore our industrial and on-site audiology services.
Tinnitus Prevention
Ringing after a gig is a warning, not a rite of passage. We assess your exposure, set a protection strategy, and catch problems while they are still preventable.
Touring & Studio Hearing Checks
A comprehensive evaluation built for working ears, including how you hear detail in a mix, so you have a baseline to protect and a yearly check that catches changes early.
From impression to show-ready.
Baseline
A 45 to 60 minute evaluation, including how you hear detail in noise, so we know exactly where your hearing stands today.
Protect & equip
Custom earplugs, in-ear monitors, or broadcast earpieces, molded from hand-taken impressions and verified for seal.
Maintain
Exposure planning, tinnitus prevention, and yearly checks against your baseline that catch changes while they are still manageable.
Tune the instrument you can't replace.
Noise damage is permanent, and almost entirely preventable. The professionals who still sound and hear their best at 60 are the ones who started protecting their ears at 30. We are brand-neutral, so the recommendation is whatever actually fits your ears and your role, not a product line. Start where you are, with one audiologist who learns your rig, your rooms, and your show calls, and stays with you season after season.
For the people who run the room.
If your work happens around loud sound, it is built for you.
Musicians & Touring
Earplugs, IEMs, and exposure plans that keep careers long.
Engineers & Crew
FOH, monitors, lighting, bar, and stage crew who run the whole night.
Broadcast & On-Air
IFB, comms earpieces, and studio protection for live hits.
DJs & Producers
Custom plugs and studio hearing checks for long sessions.
Industry hearing, answered.
It is for people who work in and around loud sound: touring and session musicians, front-of-house and monitor engineers, DJs and producers, broadcast and on-air talent, theater and worship teams, and venue and stage crew.
Musician earplugs use flat-attenuation filters that lower the volume evenly across pitches, so music and speech still sound natural, just quieter. Foam plugs muffle high frequencies and distort the mix, which is why most performers cannot work in them.
Yes. We take hand-made ear impressions and work with major in-ear monitor brands to build custom-sealed shells, or to re-shell your existing universal drivers, then verify the fit and seal.
Yes. We offer on-location impressions and group fittings for studios, productions, and tours, in addition to appointments at our Midtown Manhattan and Garden City offices.
Most custom builds take about two to four weeks from impression to delivery, with rush service available when a tour or production date is approaching.
Yes. We assess your noise exposure, provide tinnitus prevention counseling and a protection strategy, and offer management options if tinnitus has already started, alongside a baseline hearing check.
Protect the sound you make.
Tell us about your rig, your rooms, and your show calls, and we will get you fit and protected before the next run.